In my ever growing collection of vintage science fiction books I hold a high regard for anthologies. Ever since I was a kid, short stories have been my preferred sci-fi format. Anthologies are a great way to read a wide selection of authors and find favorites you never knew about. As such, my library boasts a respectable (and ever growing) collection of anthologies from the 1950s to today. Many of them are filled with repeat authors that I’ve never read before.
So it occurred to me, why not pick one of these authors and – almost at random – pick a trifecta of stories from different anthologies to get a pseudo-random sampling of the author’s work? Then I thought, why not blog all of these trifectas? Then I thought, what life choices have brought me to such a weird decision? Then I got to reading.
First up on the list of authors-I’ve-never-read-before: James Tiptree, Jr.
Our first story comes from Harlan Ellison’s venerable original sci-fi anthology, Again, Dangerous Visions volume 2. Tiptree ends the anthology, which means that this story was the last published in this iconic anthology series (though there are claims that the final volume is on the way). Ellison felt that the last story in an anthology had to be the best, and positively glows when writing about the story he nabbed from Tiptree.
I had been reading Tiptree for some time. He’s a fairly recent addition to the corps of sf writers, and he hadn’t had all that much published – not even a novel as of this writing – but what I’d seen had impressed me considerably, and so I wrote asking for a submission.
Ellison’s fantastic chauvinism is rendered even more ridiculous because James Tiptree, Jr. was a woman. Of course, it wasn’t known at the time, and wouldn’t be known until 1977, which really makes me wonder what Ellison thought when he found out. Alice Bradley Sheldon published under the name, and male moniker, of James Tiptree, Jr. from 1967 until her death in 1987. From 1974 to 1977 she also published under the name Raccoona Sheldon, but even in anthologies today she is still listed at “James Tiptree, Jr.”, there’s just too much history I guess.
I’m not going to explain probable reasons why she wrote science fiction under the moniker of a man, or passed herself off as a man in all contracts and correspondence. I think there’s enough explanation in Ellison’s introduction that I’ve quoted above. Though how Ellison continues can only be considered comical today.
All of this ferocity of flack is offered not merely because I am so high on his story, but… because, ironically, James Tiptree refuses to provide any personal data on himself.
Now, on to the stories.
The Milk of Paradise
Originally published in Again, Dangerous Visions volume 2
Read in same
It’s easy to tell why Harlan Ellison liked this story so much. Having received a solicitation to write a story for Ellison, Tiptree wrote what I can only describe as a knockoff Ellison story. The story follows a human spaceship-hand that was apparently raised by an unknown race of incredibly beautiful aliens that make humans look like C.H.U.D.s. He is confident that these aliens all died out from some pathogen that was inadvertently brought to their world by his human rescuers, but is tricked by a trader into going back to the world of Paradise, where the aliens lived. The story starts with the protagonist having sex with a random human woman and vomiting because he finds her human body so hideous, and that was my introduction to Tiptree. This is a weird one, and I think Ellison fans will like it. I have to take Ellison in small doses, and I like my science fiction prose a bit less enigmatic, so this one was not for me.
The Man Who Walked Home
Originally published in Amazing Science Fiction, May 1972
Read in The 1973 Annual World’s Best SF
I picked this one because after reading the title I had to know what it was about. This tale was super clever, and has to be one of the best and most original time travel stories ever told. Written in the omniscient, with a hint of A Canticle for Leibowitz , it begins with an apocalypse at a particle accelerator and follows the slow rebuilding of society at the devastated site. On the same day every year a man appears for a split second accompanied by a thunderclap, and local superstitions, myths, cults, and scientific curiosity surround his appearance. I don’t want to give too much away as its a fun trip, but this was a much more straight story than my first introduction, and turned me on to Tiptree’s creativity.
Houston, Houston, Do You Read?
Originally published in Aurora: Beyond Equality (a feminist anthology published in 1976)
Read in The 1977 Annual World’s Best SF
This one was proceeded in Annual World’s Best SF with a disclaimer that it wasn’t for prudes, and it definitely has a lot of eyebrow raising bits. This novella length story starts on a spaceship with our narrator, a “beta” male astronaut often felt emasculated by his two alpha male colleagues, on a spaceship full of female astronauts. You are given the impression that the men are surprised to find themselves on a ship of women, and as the story develops our narrator is convinced that he’s been drugged. Tiptree uses a clever device here where the drug induces a near stream-of-consciousness which allows the story to be told in shifting time frame. The narrative is linear, sprinkled with moments of clarity that brings the narrator to the “present.” It’s remarkably well executed and the transitions are not jarring or confusing in any way, giving us a really nice mystery to unravel. I really enjoyed this one, and it has a great punch for a climax. This one will stay with me a long time, and I highly recommend it for a commentary on gender equality that is as relevant now as it was in 1977 – maybe more so.
All in all, Tiptree came across in these three stories as one hell of a writer with an amazing creative mind. Her ability to write an Ellison story to sell to Ellison is impressive in its own right, but the fact that it landed so perfectly with him just adds to the comedy of the effort. I’ll definitely seek out more of her stories.
As a parting note, depending on which version you believe, Tiptree either murdered her husband then killed herself, or she and her husband had a suicide pact that she enacted. She openly struggled with suicidal thoughts for years, and it is evident that she finally lost the battle.
Dr. Andrew Porwitzky is a scientist and freelance writer living in Albuquerque, New Mexico. He is the author of numerous works of fiction, scientific articles, and essays.